| Dame
Antoinette Sibley, DBE
Dame Antoinette Sibley trained at the Arts Educational and Royal
Ballet Schools, dancing Swanhilda in Coppélia at the first
ever Royal Ballet School’s Performance. Upon graduating
from the School in 1956 she joined The Royal Ballet and was promoted
to Soloist in 1959, and Principal in 1960. Dame Antoinette became one of the leading ballerinas of her generation
and danced throughout the world, working with many of the great
choreographers of the time - Jerome Robbins, Dame Ninette de Valois,
Sir Robert Helpmann, Andrée Howard, Léonide Massine,
Antony Tudor, John Cranko, and especially Sir Frederick Ashton
and Sir Kenneth MacMillan and danced many times with Rudolf Nureyev
including creating Friday’s Child in Ashton’s Jazz
Calender and dancing in Robbin’s London version of Dances
at a Gathering. Her famous partnership with Anthony Dowell, which
began with Ashton’s The Dream in 1964, became one of the
greatest partnerships of the 60’s, 70’s and 80’s. In 1976, she made her film debut in Herbert Ross’ The Turning
Point dancing with Baryshnikov. The same year, Collins published ‘Sibley
and Dowell’. This was followed in 1981 by Dance Books Ltd’s
Antoinette Sibley and in 1987 by a biography, Reflections of a
Ballerina, by Barbara Newman, published by Hutchinsons. In 1988, she appeared for the last time in a full-length ballet
in the role of Manon, partnered by Anthony Dowell. She now frequently
coaches the principal dancers of The Royal Ballet in many roles,
which she either created or for which she was most noted. On Dame Margot Fonteyn’s death in 1991 Dame Antoinette was
elected President of the Royal Academy of Dancing, as it was then
known, and has since been actively involved in the creation of
the new Graded Syllabus 7 and 8, in promoting the Academy internationally
and in the RAD’s annual conferences. She was awarded a CBE
in 1973 and a DBE in the 1996 New Years Honours List. Click here to
return to the previous page. |